AN INTRODUCTION TO SLOFOLKS

John McCutcheon
SLOFOLKS in collaboration with CAL POLY ARTS will be presenting John McCutcheon
Saturday, March 17 at the Performing Arts Center, Spanos Theater, Cal Poly University, San Luis Obispo, .

Check our Events page to find out about all OUR SLOfolks upcoming concerts.

SLOfolks, a non profit organization, brings you live music from Appalachia to Mali, a diversity reflecting the cultural history and expression of the people's music played on a variety of instruments.

You will hear sea shanties, ballads, work songs, gypsy music, West African Kora, Celtic Bluegrass as well as French Musettes and Brazilian instrumentalists.

"Let this be my epitaph:
The only proof he needed for the existence of God was music" Kurt Vonnegut

On August 9, 2007, SLOfolks received our tax exempt status from the IRS. We are now a public charity, exempt from federal taxes as a 501(c)(3) corporation.

Any bequests, transfers, gifts or contributions
to SLOfolks are tax deductible under section 170 of the code.


HOUSTON JONES



SLOFOLKS IS VERY HAPPY TO ANNOUNCE THAT THE BAND, HOUSTON JONES. IS COMING BACK TO THE CENTRAL COAST...THIS TIME PERFORMING IN SAN LUIS OBISPO

Saturday, February 4, 7pm
The United Church of Christ
11245 Los Osos Valley Rd., San Luiss Obispo
Tickets ~ $20 ~ available on line at www.brownpapertickets.com also at Boo Boo Records and at the door.
Reservation: (805)544-1373


Houston Jones is a California based hig octane Americana quintet. Formed in 2001, the band performs a strong original repertoire that ranges from bluegrass and folk to blues and gospel.
Houston Jones features:

GLENN HOUSTON - Lead Guitar, Background Vocals
Glenn has received the “Best Guitarist” award for 2009 from the Northern California Bluegrass Society. He is an accomplished player with influences ranging from T-Bone Walker, Albert King, B.B. King and Michael Bloomfield to Doc Watson, Albert Lee and James Burton. A co-founder in 1979 of the group Hearts on Fire, Glenn was nominated for "Best Lead Guitar" by the California Country Music Association (CCMA). While Glenn was with the group, Hearts on Fire earned a prestigious Bay Area Music Award (Bammie). Over the years, Glenn has shared billing with Hank Williams, Jr., Merle Haggard, Waylon Jennings, Willie Nelson, Emmylou Harris, The David Grisman Quintet, Doc Watson, Earl Scruggs, John Hartford, Ricky Skaggs, The Nitty Gritty Dirt Band, and The Tubes. In recent years, he has performed live and in the recording studio with Grammy Award winner Ramblin' Jack Elliott; he co-founded and played lead guitar for the critically acclaimed acoustic group The Waybacks; he has performed with blues legends Mark Naftalin and Nick Gravenites; and he has earned a second nomination for "Best Lead Guitar" from the CCMA. And yes, he plays left-handed upside down.

PETER TUCKER - Percussion, Background Vocals
Rolling Stone Magazine described Peter as "one of the most creative percussionists to emerge in rock music." Originally from Massachusetts, Peter's eclectic pro career began in the early 60's working with the Boston-based band The Monks featuring Brad Delp (who later became lead singer for the rock group Boston.) Peter also recorded in New York with Tim Hardin and worked with Richie Havens, Austin Delone, Grungy O'Muck and others. Peter has also worked with the ground-breaking rock band Guns and Butter, recording two albums on Atlantic Records. Later, on the West Coast, Peter played with the R&B band Pacific Gas and Electric and with Declan Mulligan and The Beau Brummels with whom he put out the Vince Welnick-produced single, "Back To Life." Peter has continued to play folk, jazz, country, blues and rock with many Bay Area Bands such as Large and in the Way, The Ray Price Club, Celtic Scandal, The Ron Price Band, The Lost River Band, The Gary Gates Band, Dallas Wayne, and most recently, The Waybacks, The Cowlicks, and of course, Houston Jones. Peter is a session drummer too, in many Bay Area recording studios, and especially for local music entrepreneur Kathi Goldmark where he has recorded with Warren Zevon, Skunk Baxter and authors Amy Tan, Steven King, and Norman Mailer.

TRAVIS JONES - Lead Vocals, Guitar
Travis’ musical background and history reads like a William Faulkner novel. He began singing gospel music at age four with his mother Lottie Mae Adams, a blues singer who recorded several discs on Paula Records. Travis became known not only for his vocal abilities but also for his telling of old testament bible stories at revivals and tent meetings all across the south. He started his first group at sixteen – a Paul Revere and the Raiders tribute band. Travis served 6 years in the US Army; he was stationed in Europe where he performed with the soul and funk band Smoke, which eventually became the back up band for the famous R&B group The Manhattans (“Let’s Just Kiss and Say Goodbye”). Upon leaving the armed forces, Europe, and Smoke, Travis made his way to Northern California where he has resided since 1979.
During his time in California, he has performed with a wide array of artists. He’s shared the stage with Asleep at the Wheel and Waylon Jennings – Night Ranger and the Doobie Brothers - John Hartford and Levon Helm, just to name a few. He has recorded with various artists, as well as releasing two self titled albums – “Lost Highway, The Legendary Music of Hank Williams” and “Dance All Night” – along with five CD releases with Houston Jones. Travis lives in Alameda CA, on his sailboat, with Samson the wonderdog.

CHRIS KEE - Bass, Guitar, Cello, Background Vocals
A classically trained cellist with a degree in ethnomusicology, Chris has performed and recorded with a bewildering array of artists, including Peter Rowan and Norah Jones. He is a long time collaborator with Telecaster wizard Jim Campilongo, playing with Jim in the legendary Ten Gallon Cats and various post-Cats ensembles. With drummer Peter Tucker, he was in the original rhythm section of those practitioners of acoustic mayhem, The Waybacks. In various musical incarnations, he has opened for Jerry Garcia, Lyle Lovett, Los Lobos, Bela Fleck and J.J. Cale, to name but a few. In addition to holding down the bass chair with Houston Jones, Chris can be seen locally with the Magic City Chamber of Commerce and Stephen Yerkey.


HENRY SALVIA - Keyboards, Accordion, Vocals
Henry Salvia was born a dim-witted but honest child in the Cagolugo section of Detroit. As a child, he threatened his parents with becoming a drummer until he discovered that the piano was larger and heavier, so naturally he began to play it. After a long and undistinguished career performing in luxurious hotels and corner dives throughout the Metropolitan area, he decided to move to Los Angeles to expand his opportunities, and wound up in San Francisco. Several years of playing rock and Top 40 in Detroit was ideal training for his role in the Billy Band , who played both kinds of music (country and western). After being replaced by a pedal steel guitar (though no one in the Billy Band played it, it looked better on stage than Henry), he moved to a roots rock band called the Hurricanes , where he was surprised to discover his wife singing for the band. So, he married her. It seemed the honorable thing to do.
All of this experience playing rock and country made him the logical selection as the piano player for the Johnny Nocturne band, who specialize in R&B, soul, and jazz. Henry's frenetic yet lyrical style (describe by bandleader John Firmin as "a cross between Carmen Cavallero and Cecil Taylor") is featured on several of their albums. Henry has had the honor of working with artists such as Bo Diddley, Rickie Lee Jones, Johnny Colla (of Huey Lewis and the News), Big Jay McNeeley, Jessica Mitford, Tommy Ridgely, Al Kooper, Peter Coyote, Big Lou the Accordion Princess, Jan Fanucci, and (his favorite) Johnny Adams.

The San Francisco Chronicle November 11, 2011:
Houston Jones: Queen of Yesterday
CD Review By David Wiegand

RATING: (WILD APPLAUSE)
"You may not think a band with traditional bluegrass instrumentation and guys who've been around the musical block more than a few times could remain fresh, much less grow even better with each new CD. But when it comes to the Bay Area band Houston Jones, think it. I first got turned on to the band with "Calico Heart" two CDs ago, but the group's new one, "Queen of Yesterday," is in a class by itself. The band includes Travis Jones on lead vocals and guitar; Glenn Houston on lead guitar and background vocals; Chris Kee on bass, guitar, cello and background vocals; Peter Tucker, percussion and background vocals; and Henry Salvia, keyboards, accordion and vocals. Houston Jones will celebrate the release of "Queen" on Saturday at Freight & Salvage. And it's a CD worth celebrating."

"What's amazing about the band is its incredible versatility, From the bluesy swing of "Angels on the Ridgepole" to the urban jazz sound of the streets of Oakland embodied in "Calamity Jane" to the gentle acoustic ballad "I Found a Heart," the electric and electrifying title track and the bar-at-closing-time sad classicism of "Lost in the Crowd," this is a confluence of sublime talent."

Houston Jones

JAYME STONE

JAYME STONE

Friday, March 2, Coalesce Bookstore, 7pm ~ $20
Saturday, March 3, Castoro Cellars, 7:30pm ~ $20



Jayme Stone (banjo) | Sandra Wong (nyckelharpa, fiddle) | Andrew Small (bass) | Nick Fraser (drums)

Two-time Juno Award-winning banjoist

Two-time Juno-winning banjoist Jayme Stone makes music inspired by folk traditions from around the world. His latest album, Room of Wonders, explores music from Norway, Sweden, Bulgaria, Brazil, Italy and North America. The repertoire includes a movement from Bachʼs French Suite, a Moorish sword-fighting dance and Stoneʼs lush, edgy originals.

"The Yo-Yo Ma of the banjo"
Globe and Mail

"This is what the future of the banjo sounds like."
Songlines

"The Music is as spirited as its creator. It's hard to imagine a room large enough to contain the talent that went into its making, or the varied sounds it surveys."
Georgia Straight

Stone thrives on unexpected inspiration: Japanese poetry, Brazilian literature, instruments he found while traveling in remote Malian villages. He finds it with influences as diverse as Anouar Brahem, Bill Frisell, and Toumani Diabaté. His Juno Award-winning albums, most notably Africa to Appalachia, both defy and honor the banjoʼs long role in the worldʼs music, turning historical connections into compelling music.

The last chapter in Stoneʼs musical travelogue took place in Africa. He went knowing whatʼs still news to most: that the hide-covered instrument with an “extra” drone string we call the banjo actually comes from West Africa. He became particularly curious about the music that may not have made it across the ocean on slave ships headed west from Senegal and Mali in the 1600ʼs. The resulting album, Africa to Appalachia, is a boundary-crossing musical collaboration with singer and kora maestro Mansa Sissoko.

His third solo recording, following the international breakout success of Africa to Appalachia, features fiddle pioneer Casey Driessen, gravity-defying guitarist Grant Gordy, former Punch Brother Greg Garrison and special guests: Nick Fraser (drums), Kevin Trucotte (trumpet), William Carn (trombone) and Olov Johansson (nyckelharpa).

"Stone's scope is far-reaching, connecting seemingly disparate cultures with a passion for music that runs through bluegrass, jazz and the grit of roots music to West Africa."
Boston Globe

"Stone combines a jazz musician's sense of timing and sureness of touch with a pop musician's brevity and directness."
The Guardian

"That rare example of a musical exploration going perfectly, a cultural summit that sounds vibrant and seamless for all the right reasons."
Explain

videos: http://jaymestone.com/videos
Jayme Stone